How to Be Cast in “Sherlock & Daughter”

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When “Sherlock & Daughter” on The CW debuts on January 1, 2025, it promises a variation on the classic case that even the famous detective might not be able to solve. Would you even know where to begin, though, if you were to try out for the show?

We’ve done our own research and found all the information you require to become a member of the cast of “Sherlock & Daughter.” This book includes everything, from acting tips from the show’s seasoned stars to an inside peek at the casting director’s approach.

What is the plot of “Sherlock & Daughter”?

“Sherlock & Daughter,” which is based on the well-known character developed by Sir Arthur Conan Doyle, finds Sherlock Holmes at a turning point in his career when he is unable to pursue a crucial case without endangering the lives of those closest to him.

Amelia, an American, joins the scene to ask for Sherlock’s assistance—and perhaps even his love—while he is stuck in this limbo. She is searching for her mother’s killer in addition to thinking Sherlock might be her long-lost father. In order to solve a global conspiracy, her mother’s murder, and whether they are actually related, the (possibly) father-daughter team must cooperate.

Who makes up “Sherlock & Daughter”‘s cast?

“Sherlock & Daughter”‘s first season will feature:

  • Sherlock Holmes played by David Thewlis
  • As Amelia Rojas, Blu Hunt
  • As Swann, Antonio Aakeel
  • Shaw McPherson as played by Orén Kinlan
  • Clara Anderson, played by Gia Hunter
  • Bertram Birtwistle as played by Shashi Rami
  • As Clarence Halfpenny, Kojo Kamara
  • As Doctor Watson, Seán Duggan
  • Allan Keating in the role of Mr. Hopper
  • Emma, played by Rose O’Neill
  • Quinn Bryan as Smales
  • Heading as Pete Pound, Ruairí
  • Fleisher Lucas as Brandon
  • Arthur, played by Mark P. O’Connor
  • Professor Moriarty, played by Dougray Scott
  • Keene, Phillip P., as Anderson, Ambassador
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Who is the “Sherlock & Daughter” casting director?

The main CDs behind Season 1 of “Sherlock & Daughter” are Louise Kiely and Karen Scully (“Normal People,” “The Watchers”).

For Kiely, background does not always equate to talent, even though many casting directors choose actors with professional training or agent representation. Kiely told Spotlight, “[I]f you have trained, that’s your journey and if you’ve decided to do that then good for you and I’m confident it’s been a rewarding experience.”

Additionally, you might never train and, at the age of four, you might appear in your first Milky Bar commercial before never doing it again. Each person’s experience is unique. Ultimately, it is my responsibility to locate you. Therefore, you can come meet me without having a degree.

What is the “Sherlock & Daughter” casting procedure like?

Kiely told us that she frequently auditions unrepresented actresses with her crew. She accepts resumes and reels from anyone, regardless of skill level. In order to get your name in front of a casting director, Kiely stressed that you need to show that you know who you are writing to when you send a cold email. This involves addressing the recipient directly rather than just saying, “Hello,” she added.

Regarding creating a cover letter, Kiely advised taking a little more time to ensure that you address it personally. People occasionally mention a job or two that I have worked on, which is extremely lovely. “I really liked this movie,” or “I really liked this TV show,” and “please find my resume and headshot attached.”

I guess you should keep it professional, personable, and just nice. Kiely went on to say, “You could get in touch with a casting director once every three to four months, or once every five months, but not every two weeks.”

She added that her team makes an effort to reply to each and every one of the ten emails she receives every day from performers looking to connect, even though they do add up. Kiely suggests doing homework for actors whose anxiety is getting the better of them.

“Whether it’s for a self-tape or meeting with a director, preparation is crucial,” she informed us. “Read as much as you can if you are meeting with a director. Read the book, check out the Wikipedia articles, view the director’s work, and, of course, get as ready as you can.

Outside is where the work must be done. It’s kind of strange if you come in for a director and haven’t seen their work when it’s accessible. Know what you’re talking about, know your genre, and be prepared to tell them, “I liked this movie.”

Read Also: How to Get Cast in the ‘Wizards of Waverly Place’ Reboot

We already think you’re great because you’re there, so just prepare to make it even better. We’ll anticipate the sides to be read really well anyhow. “I tell them that I would never attend a meeting without preparation, [and] I expect the same from them,” she continued. That, in my opinion, also greatly reduces anxiety.

According to Kiely, nervousness and enthusiasm ultimately produce the same internal buzz, so if you can harness that emotion and utilize it to practice your lines, the preparation will eventually show in the room.

Where are casting calls and auditions for “Sherlock & Daughter” held?

“Sherlock & Daughter” has not yet received a second renewal, with Season 1 scheduled to debut on the CW in early 2025. As a result, the new series does not currently have any open casting calls.

Last Monday, filming for the upcoming mystery television series “Sherlock & Daughter,” written by Brendan Foley for the CW, began on North Great George’s Street in Dublin.

What are the best ways to ace an audition for a “Sherlock & Daughter” role?

You’ll learn to listen through improvisation. While some actors benefit from formal education, Thewlis flourished when studying improv, which he still uses as a professional actor since it taught him how to listen. “To be honest, I didn’t find much of theater school to be very helpful.

He told us, “I thought a lot of it was very cerebral and too study-bound.” Improvisation has always appealed to me… Since you can’t say what you’re going to say next until you’ve actually heard, improvisation teaches you how to listen.

I’ve dealt with actors who don’t pay attention. They are too preoccupied with their next words. They are mentally rehearsing their next line. [Improvisation] increases your courage. You’ll be more adventurous. It is typically done as a class exercise rather than as a performance piece. I believe that I learned how to be an actor through improvisation in the technical college where I attended before attending drama school.

Your profession is not you. Hunt, who achieved success early in life, has discovered that one’s identity as an actor and one’s personal identity are entirely distinct, and that aspiring actors should make every effort to consistently develop their individuality. Hunt told ScreenRant, “When you’re an actor at the beginning of your career, you have to go with the flow for a while until you can, hopefully, take complete control.”

“I had to stop committing to my acting profession. My personal identity is unrelated to my identity as an actor or what I perform as an actor. My personality, the things I enjoy, and that social group are all unrelated to the films I make or the acting I do. I’m an actor, you know.

That was something I was unaware of. Being able to act and get compensated for it at all is a blessing. I’m trying not to put too much pressure on myself, simply enjoying life and going with the flow to see what comes next. Perhaps we only get one. Or whatever, at least one that we are aware of!

Really, rejection isn’t personal. Scott can attest that rejection is actually simply a part of the process, but for novices, it can feel like a personal failure. You should just utilize a “no” to motivate your quest for a “yes” because it doesn’t reflect on your abilities. As a young actor, Scott told us, “You get rejected so many times, and [it’s easy] to take it personally and think it’s all about you.”

“I can see from my current job that there are a lot of different reasons why you might not be awarded the role. When someone says no, your first thought is usually that it has nothing to do with your acting skills. Since many performers have self-doubt, I would advise my younger self to never doubt their abilities. After being knocked down, you get back up, pick yourself up, and continue.

About the Author

mudasar Rafique
Mudassar Rafique, a seasoned journalist with 10 years of experience, excels in uncovering and delivering news with a keen eye for detail. Renowned for insightful analyses and a commitment to journalistic integrity, he contributes to reputable publications. Passionate about staying informed, Mudassar views his role as a professional and personal mission to engage global audiences.

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